Reviewed: Nikon AF-S Nikkor 70-200mm F/2.8G ED VR II

Here’s our concise review of the Nikon AF-S Nikkor 70-200mm f/2.8G ED VR II telephoto zoom lens…

Nikon AF-S Nikkor 70-200mm F/2.8G ED VR II

by Kirk Schwarz |
Updated on

Verdict: If you’re looking for super sharp images, this lens will deliver; it’s extremely capable and will not disappoint you, however, this is reflected in the price-tag, which may be off-putting.

Nikon AF-S Nikkor 70-200mm F/2.8G ED VR II

Rrp: £2346.95

Price: £1896.95
Alternative retailers
Walmart$93.00View offer
Adorama$1493.00View offer
Macy's$1896.95View offer
Newegg$1909.95View offer

A resident in some of the most famous kit bags in the world, the VR II is a phenomenal lens, even though it’s been usurped by the newer FL version. It features a reassuringly tough build quality, with pleasingly chunky focus and zoom grips, which hides 21 elements in 16 groups, including 7 ED (Extra low Dispersion) elements and Nano Crystal Coating to reduce aberration and flare. It also handles vignetting and distortion as well as others in test, regardless of the focal length.

We’ve no complaints about sharpness – it’s extremely good. Even at f/2.8 the centre of the image is pin-sharp, though the corners take a while to catch up. Once you get to f/5.6, this lens is sharp throughout and returns stunning results. The autofocus system is also very good with focus achieved quickly and accurately every time.

Pros

Optical stabilisation

Weather resistant

Solid AF

Cons

Heavy

Expensive

Getting old

Want to see more lenses? We've rounded upthe best fast-aperture lenses.

Nikon AF-S Nikkor 70-200mm F/2.8G ED VR II

Rrp: £2346.95

Price: £1896.95
Alternative retailers
Walmart$93.00View offer
Adorama$1493.00View offer
Macy's$1896.95View offer
Newegg$1909.95View offer

Spec

Min aperture: f/22

Max aperture: f/2.8

Elements: 21/16

Filter size: 77mm

Min focusing distance: 140cm

DxH: 87x205mm

Weight: 1540g

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Kirk Schwarz is a tech-addicted photographer with over a decade's experience; Kirk’s used to putting new gear through extreme field testing. He's previously written for Practical Photography.

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